Alex Broussard- "The Year 57"

                                         

Alex Broussard started his recording career with the start of Carol Rachou's La Louisianne Records in 1959. The second record he recorded was a song about one of the deadliest hurricanes to hit south Louisiana named Hurricane Audrey.

Raised in the Acadian area, Alex started playing a variety on instruments at a early age. Growing up he had a musical ear and played a variety of instruments. In 1959 he approached Carol Rachou about recording some songs. 

Carol owned a local stereo and record shop in downtown Lafayette called the Music Mart. He had been experimenting recording a few groups in the back of his store and released them on his Jazz at the Music Mart label. When Alex approached him about recording, he felt it was wrong to release them on this label; so he started La Louisianne Records.

Alex had been playing with his friend, Leroy "Happy Fats" LeBlanc, combining Cajun and country music. Together they played around southwest Louisiana. For the first session in 1959, Alex brought Happy Fats, Doc Guidry and Sleepy Hoffpauir to the recording session.

The second song they recorded was "The Year '57" (L’annee de cinquante sept). The song was about Hurricane Audrey which was the first storm of the 1957 hurricane season and it made landfall on June 27th. It was the deadliest hurricane to strike the United State since 1928. Hurricane Audrey's strong winds generated rough seas offshore Louisiana, with wave heights of 40–50 ft occurring in the Gulf of Mexico. It caused much damage to south Louisiana and the people there.

Dans l'année de cinquante-sept

Dans les mèches de la Louisiane

Droit dans la mer est venu un' lame

Qu'a couvert le sud de l'État

Tous les biens des habitants

Ont flotté sur l'eau salée

On va se rappeler de l'ouragan

Dedans l'année de cinquante-sep

Tous les bêtes de la Grande Chenière

Ont été noyées dedans les mèches

Les habitants de la Pacanière

Ont été ruinés par l'eau salée

Et les résidents des îles

Avec tout le courage du monde

Ont retourné dessus les îles

Dedans l'année de cinquante-sept

Tout le reste de la Louisiane

A prié pour le sud de l'État

La charité a été donnée

Pour les résidents des mèches

Et le monde de Cameron

Avec des larmes dedans les yeux

Ont retourné à Cameron

Dedans l'année de cinquante-sept

Aujourd'hui la Pacanière,

Les Chenières et Cameron

Est le paradis pour les chasseurs

Les pêcheurs et les piégeurs

Dans les mèches de la Louisiane

Les résidents sont tous contents

On va se rappeler de l'ouragan

Dedans l'année de cinquante-sept

Alex continued playing with Happy Fats during the early 1960's. Both Happy and Alex had radio shows on KSIG out of Crowley. They performed at many festivals during this time as well. Their main outlet was "The Marine' Show" which they hosted every Sunday morning on Channel 10, KLFY out of Lafayette.

                                          

Resources

http://www.lalouisiannerecords.com/lalouhis.htm

lyrics- cajunlyrics.com

John Broven- South to Louisiana

Jodie Broussard

Session info

V/g, Doc Guidry, Sleepy Hoffpauir (fdl), Leroy Leblanc (g) remainder unknown,

La Louisianne Studio, Lafayette LA: 1959

8020 The year ’57

(L’annee de cinquante sept) La Louisianne 8020

Lawrence Walker- "Chere Alice"

Lawrence Walker and his brother first recorded for Brunswick in 1929. After the depression, they recorded again for Bluebird in 1935. It would be 15 years before he recorded again, this time for the Khoury's label. After a string of recordings on the label, he recorded for the Swallow label and by the 1960's he moved to La Louisianne Records in Lafayette.

Carol Rachou founded La Louisianne Records in 1959. His first release was by Alex Broussard but in the following years, such greats as Lawrence, Aldus Roger and Happy Fats were recording for his label. Lawrence would finish out his recording career with the label, cutting 12 songs in total on 45 rpm.

  

Around Acadia Parish the story of Alice, Adam and his horse Henri was well known. Angelas Lejeune had previously used the story for his song "La Valse A Tidom Hanks". The story involves Adam "Tee Dom" Hanks and Alice Royer. The two were lovers but Alice's father didn't approve of the two being together. Adam loved to ride his horse, Henri, while drinking whiskey from a jug and this was enough to make Alice's father not like him. The two seperated and eventually married others. But Adam's love for Alice never died. He composed a song about his love for Alice called "La Valse a Tee Dom" and would sing the song on his accordion with tears streaming down his face at house dances.

As for Lawrence, Adam told him the lyrics to the song at a dance one night near Bosco. He used the melody from his "Country Waltz" on Khoury to transform into his song "Chere Alice" recorded in 1962 on La Louisianne Records featuring the great fiddling of Doc Guidry. It would be one of the last singles he ever released.

Lawrence and his Wandering Aces kept kept the Cajun dance hall fire going in the late 1950's and 1960's. But soon Rock music influence would soon dominate the scene. Lawrence's steel guitar player was Johnny Allan and would use Lawrence's band to play as the Krazy Kats. Lawrence soon got aggravated at the situation and abandoned playing. He passed away in 1968 at age 60.



Resources
Early Cajun Music Blog
Johnnie Allan: Memories

Alex Broussard- Le Sud De La Louisiane

Alex Broussard was born August 19, 1926 in Maurice, La. Raised in the Acadian area, he started playing young.  Alex had a musical ear, playing banjo,dobro and upright bass. He was known as the "Barefoot Cajun", opting to sing and play barefoot. 

In the late 50's, Alex went to Carol Rachou to talk to him about recording.  Alex wanted to record a song called "Le Sud De La Louisiane" about the Cajun's exile to south Louisiana. Carol had built a studio out of his parents old grocery store and with Alex's first record, La Louisianne Records was born. The record was recorded in 1959 in Lafayette at Carol's first studio. "Le Sud De La Louisiane" was backed with "The Year 57" but some of the earlier versions featured a flip side by Ed Juneau. Alex made several recordings with Carol in the late 50's and early 60's. 



From 1959 till 1962 Alex recorded with his old friend Leroy "Happy Fats" LeBlanc on La Louisianne Records. Afterwards he joined The Bayou Buckeroo's with Happy Fats. With this group they discovered that older audiences still wanted Cajun and Country music. Together Happy and Alex played the dancehalls and clubs of Southwest, La. Both Happy and Alex had radio shows on KSIG out of Crowley. They performed at many festivals during this time as well. Their main outlet was "The Marine' Show which they hosted every Sunday morning on Channel 10, KLFY out of Lafayette.

"Le Sud De La Louisiane" was written by Alex for the Breaux Bridge Centennial. The Breaux Bridge Centennial evolved into what is today know as The Breaux Bridge Crawfish Festival. The song describes the coming of the Acadians to south Louisiana with its frogs, alligators, crawfish and above all its unbelievable beauty. On this 1959 classic Alex is joined by Doc Guidry, Sleepy Hoffpauir and Leroy "Happy Fats" Leblanc.

On a flotté sur la grande mer
On a marché dedans le sable
On a passé dans les montagnes
Dans les cailloux de la Virginie,
On a trouvé les cocodris 
Les cocodris de la Louisiane
On donnerait pas nos cocodris
Pour tout le reste du pays.

Ici dans le sud de la Louisiane
Les poissons flottent dans le bayou Tèche
Les canards volent dedans les mèches
Les ouaouarons dans les platains,
Les écrevisses dans les clos de riz
Les écureuils dans les grands bois
On a trouvé notre paradis
Dedans le sud de la Louisiane.

Les petites Cadjines de la Louisiane
Les meilleures cuiseuses du pays,
Les sauces piquantes, les écrevisses,
Les patates douces dans la cheminée,
Ça chante les chansons de la Louisiane
Ça bat le linge dans le bayou Tèche,
On a trouvé les petites Cadjines
Dedans le sud de la Louisiane.

Les vieux Cadjins de la Louisiane
Les meilleurs citoyens du monde,
Ça brûle du bois pour la cheminée
Ça boit du moonshine tout l'hiver,
Ça danse les polkas du vieux temps,
Les mazurkas, les valses aussi,
On a trouvé le paradis
Dedans le sud de la Louisiane. 

In 1980, KADN-TV out of Lafayette started their program "Laissez Le Bon Temps Rouler" which Alex hosted. It was around this time Alex built Alex Broussard's Ranch, a dancehall in Judice. The dance hall was a favorite of many Cajun and country musicians, including Alex's friend, George Jones.

Alex was a pilot, a farmer and beloved member of Lafayete Parish. He was a frequent guest on The Grand Ol' Opry and hosted many Cajun music shows.

Alex Broussard-"Le Sud De La Louisiane"
La Louisianne 8016

Resources
John Broven-South To Louisiana
with thanks to Jodie Broussard

Lawrence Walker and His Wandering Aces- Reno Walz (La Valse De Reno)

                               

Lawrence Walker was born September 1, 1907 in Duson, La. At age 13 he began playing in a band with his father and brother. He and his brother first recorded with Brunswick in 1929 and then again in 1935 with Bluebird Records.

He returned to farming after the Bluebird recordings and later on, back to recording and playing after World War II. Lawrence and his Wandering Aces played the clubs and had a string of recordings from 1950-1962. By the 1950's Lawrence was known for developing a new style in Cajun music. He was known to be a perfectionist; he demanded higher standards of his band.

He first recorded "Reno Waltz" for George Khoury's label. Reno was named after the Reno Dance Hall located between the towns of Kaplan and Gueydan. It is based on a older tune, "La Valse de Grand Chenier". Lawrence had gotten into a argument with Reno's owner, "Dado" Seaux. In order to make amends and to keep performing there, he named the song after the Club. Lawrence's popularity in his live performances earned him the title "King of The Dancehalls". He was a big leader in the accordion revival in Cajun music. Johnnie Allan remembers:

            " Lawrence was a big factor in French music. His songs were all the sad, melodic type songs, he was a very good  accordion player, very well known in the area. I played steel guitar for him for 6 years and he crowds were tremendous almost everywhere we played."

From 1950 thru 1955 Lawrence and his Wondering Aces recorded for Khoury's. By the late 1950's, Khoury lost interest in recording Cajun music, Lawrence aproached Floyd Soileau to release his recordings. Two records were released on Swallow in 1956 and Lawrence didn't have a record come out until 1961. 

Carol Rachou built a studio in Lafayette out of his parent's old grocery store and started his label, La Louisianne. From 1961 thru 1962, Lawrence released seven titles on La Louisianne Records. Along with one of the first Cajun rock and roll numbers sung in English; "Allons Rock and Roll", he also recut his Khoury classic, "Reno Waltz". On this version, Lawrence used different lyrics than he used on the original and replaced the steel guitar with fiddling by "Doc" Guidry.

Oui, la place que moi, je voudrais mourir                      

c’est dans les bras de mon petit bébé.                          

Demander pardon pour ça j’ai fait,                             

là je serais d’accord de m’en aller dans Grand Gueydan.         

Quand je vas mourir, j’aimerais que tu viennes.                 

Fermer mes yeux, petit bébé, pour moi je m’en vas.              

Pour moi, je m’en vas dans la terre pour toujours.              

Comme tu connais, ça fait du mal juste à y jongler.

             

T’es si petite, si mignonne, si canaille, petit bébé,         

Mais je t’aime quand même.                                      

Moi je vois p’us dans le monde quoi moi je vas faire.           

J’ai p’us personne dedans le pays qui veut m’aimer.            

Yes, the place where I’d like to die

is in the arms of my little baby.

To ask forgiveness for what I’ve done,

then, I’d agree to go away to Big Gueydan.

When I die, I’d like for you to come.

Close my eyes, little baby, so that I can go away,

so that I can be buried in the ground forever.

As you know, it hurts just to think about it.

You’re so little, so cute, so mischievous, little baby,

but I love you anyway.

I don’t see anything left for me to do on this Earth.

I don’t have anyone left in this land who wants to love me.

After these recordings, Swamp Pop and Rock and Roll took over music like Lawrence's. Johnny Allan had joined the Wandering Aces a few years prior. After a couple years playing, he left the group due to his career taking off. Johnny convinced members of the Wandering Aces to join his band called the Krazy Kats. With this band set up they played a couple shows until Lawrence found out about the other group. By this time he had enough.

He stopped recording after these recordings and in 1968, he passed due to a heart attack. His legacy remains overlooked. His playing was bluesy and full of Cajun soul. His songs have been a influence on the next generation of Cajun musicians, but Lawrence has been mainly overshadowed by Nathan and Iry, sadly.

                                                     
                                        Lawrence Walker and His Wandering Aces
                                        Reno Walz (La Valse De Reno)
                                               LL 8030
                                         Recorded 1961-1962
                                           La Louisianne Studio, Lafayette, La,





                                                          Resources
                                                            Early Cajun Music Blog
                                                          John Broven-South To Louisiana
                                                          translation- Erin S.