Showing posts with label Veteran Playboys. Show all posts
Showing posts with label Veteran Playboys. Show all posts

Sunday, November 8, 2020

Shirley Bergeron and the Veteran Playboys - "J'ai Fait Mon Ede'e"




 Shirley Bergeron was born in 1933 and raised in the Point Noir area of Church Point. He would work the fields as a child, sometimes picking a sack of cotton before he would get on the school bus. His father, Alphee, gave him a guitar when he was 11 years old and soon he was playing with his father and his friends. While he was a teenager he joined his father's Veteran Playboys band. The Veteran Playboys was originally led by Bill Matte, then he moved to Lake Charles and it became Alphee Bergeron's band. 


With soldiers returning home from the war with money and farmers doing well, times were good. The band played dances every night of the week in the late forties and broadcast regularly on KSLO in Opelousas. While Shirley started playing rhythm guitar in the group, he switched to steel guitar when Adam Hebert suggested the instrument to him because all the new bands had a steel guitar. The band did well until the rock and roll era and suddenly their dance dates went to Saturday night only.


Lee Lavergne grew up the son of poor farming parents. His love of Cajun French music started at a early age. He first heard the music on his neighbor's record player. Then in the late forties he started listening to the bands on the radio on KSIG and KSOL. In 1953, he went into the service and went to Korea. When he retuned he soon found out that the music he loved had been taken over by rock music. Around 1959, he decided he wanted to go into the record business.


He met up with his old school friend, Shirley Bergeron, one night and Shirley knew someone to talk to Lee about starting a label. Shirley took him to Crowley and they met up with J.D. Miller. Shirley and the original Veteran Playboys had recorded for Miller before. Jay asked Lee what kind of work he did and Lee told him he did bookwork. Miller advised him he better stick with that because there was more money in that. But Lee was determined and soon Jay helped Lee set up Lanor Records.


They used Miller's studio in Crowley and J.D. helped with the recording and processing the tapes. Lanor Records was on its was with it's first release by Shirley and Alphee Bergeron with the Veteran Playboys called " J'ai Fait Mon Ede'e"






J’ai fait mon idée

En faisant mon paquet.

Ta bonne vieille maman,

Elle s’est mise à pleurer.

Elle, elle m’a dit :

Quo faire toi

T’es comme ça ?

Moi j’ai répondu :

Moi j’ai fait mon idée.


Les enfants sont donnés,

Leurs papiers sont signés.

ça qui me fait du mal,

C’est qu’ils vont m’oublier.

Il a cassé notre ménage,

C’est ça qui me décourage,

C’est pour ça moi j’te dis :

Moi j’ai fait mon idée.


Shirley based the song on a old fiddle tune, but changed the lyrics to tell a story about a friend of his. His friend's wife left him with all the kids in the house. The friend tried to bluff the estranged wife by saying he could not work and take care of the kids. He told her if she didn't want to come back and take care of the kids, that they were going to have to give them up for adoption. The wife bluffed him and signed the kids to be taken away, leaving the husband heartbroken.


The song was Lanor's first release and was a hit leading to more releases on the label. Shirley recorded for the label until 1969. He retired from music to focus on his family and became a insurance salesman. His father, Alphee, passed away in October of 1980.


                       


Session info:


V/st-g, Alphee Bergeron (acdn), M J Achten (g), Wallace LaFleur (d), probably

Shelton Manuel (fdl)

J.D.Miller Studio, Crowley LA: May 1960

L 2000 J’ai fait mon edée Lanor 500


Resources

Ann Savoy- Cajun Music

John Broven- South to Louisiana

Lyrics- cajunlyrics.com

Photo: Wade Falcon

Nick Leigh- Cajun Records 1946-1989


Tuesday, March 24, 2020

Sidney Brown- "La Misere De Mon Beau-Pere"

Sidney Brown was born October 28, 1906 in Church Point. Growing up, he  was self taught on the accordion. He would borrow a accordion and sit in the field and play. By the time he was 13, he was already playing house dances and fais do-dos. 

After years of working in the oilfield as a roughneck, he moved to Lake Charles from Ville Platte in 1940. There he found work as a woodworker and carpenter. It was here that Sidney began developing his skills towards making and repairing accordions. He would eventually be recognized as the first person to build Cajun accordions after WWII in Louisiana.

After World War II he formed the Traveler Playboys. In 1948 they played on KPLC on a weekly 30 minute broadcast. From 1952 to 1959, Sidney performed with the Musical 4 + 1 and the Hillbilly Ramblers, as well as his own bookings. 

In 1955, Sidney and his band began recording for Eddie Shuler. Eddie had been inspired by the success of Iry Lejeune's records and became more involved in recording Cajun music. Sidney's record "Pestauche A Tante Nana" would become the third best selling record in the history of Cajun Music. Sidney and his band played many clubs in Louisiana and Texas. They also appeared on KPLC radio with the Israel Lafleur Show and on KPAC television in Port Arthur.

"La Misere de Mon Beau-Pere" ( My Father-In-Law's Sorrow) was recorded in 1958 at Goldband studio in Lake Charles. Playing with Sidney on the recording was Nelson Young on fiddle, Cliff Newman on vocals, John Crochet on drums and either Tilford McClelland or Mervin Faul on steel guitar.

Toi, petite fille, 
qu'est assis la galerie, 
le chapelet dans la main, 
après prier pour tout qui vient 
jolie fille, 
pourquoi donc t'es comme ça, 
tu connais pour toi même quand ça fait du mal.
toi, malheureuse, 
pas la faute à ton beau père, 
pas la faute à la petite mère.

toi, petite fille, 
rappelles toi pour toi même les misères tu m'as fait ....


In the early 1960's Atlas Fruge joined the Traveler Playboys on steel guitar. By this time Sidney's health began to fail and he slowed down, eventually quitting any dancehall performances. He continued to perform on a limited basis, even winning the Cajun Days accordion contest in 1968. He continued building and repairing accordions, producing a unknown amount, many which are still in use today.


Sidney's impact on the local accordion scene is noted by Mervin Faul. Mervin played steel guitar with the Veteran Playboys for a while in the 1950's when Shirley Bergeron quit because his father's accordion was so bad out of tune and Shirley couldn't stand the sound. The other band members talked Mervin into talking to Alphe about it. Alphe let Mervin take his accordion to Sidney to repair. After his accordion was fixed the band continued playing. But Shirley would peek in and listen in to the group. It wasn't long before Shirley was back in the band thanks to Sidney's repair's to his fathers accordion.


In the early 1960's Atlas Fruge joined the Traveler Playboys on steel guitar. But by this time Sidney's health began to fail and he slowed down, eventually quitting any dancehall performances. He continued to perform on a limited basis winning the Cajun Days accordion contest in 1968. He continued building and repairing accordions, producing a unknown amount, many which are still in use today. One of Sidney's accordions sits in the Acadian Memorial in St. Martinville, Louisiana. He passed away on August 6, 1981.

Resources-
Early Cajun Music Blog
Accadian All Star Special
Ron Yule-Cajun Dancehall Heyday
lyrics by Stephane F.