Sidney Brown- "La Misere De Mon Beau-Pere"

Sidney Brown was born October 28, 1906 in Church Point. Growing up, he  was self taught on the accordion. He would borrow a accordion and sit in the field and play. By the time he was 13, he was already playing house dances and fais do-dos. 

After years of working in the oilfield as a roughneck, he moved to Lake Charles from Ville Platte in 1940. There he found work as a woodworker and carpenter. It was here that Sidney began developing his skills towards making and repairing accordions. He would eventually be recognized as the first person to build Cajun accordions after WWII in Louisiana.

After World War II he formed the Traveler Playboys. In 1948 they played on KPLC on a weekly 30 minute broadcast. From 1952 to 1959, Sidney performed with the Musical 4 + 1 and the Hillbilly Ramblers, as well as his own bookings. 

In 1955, Sidney and his band began recording for Eddie Shuler. Eddie had been inspired by the success of Iry Lejeune's records and became more involved in recording Cajun music. Sidney's record "Pestauche A Tante Nana" would become the third best selling record in the history of Cajun Music. Sidney and his band played many clubs in Louisiana and Texas. They also appeared on KPLC radio with the Israel Lafleur Show and on KPAC television in Port Arthur.

"La Misere de Mon Beau-Pere" ( My Father-In-Law's Sorrow) was recorded in 1958 at Goldband studio in Lake Charles. Playing with Sidney on the recording was Nelson Young on fiddle, Cliff Newman on vocals, John Crochet on drums and either Tilford McClelland or Mervin Faul on steel guitar.

Toi, petite fille, 
qu'est assis la galerie, 
le chapelet dans la main, 
après prier pour tout qui vient 
jolie fille, 
pourquoi donc t'es comme ça, 
tu connais pour toi même quand ça fait du mal.
toi, malheureuse, 
pas la faute à ton beau père, 
pas la faute à la petite mère.

toi, petite fille, 
rappelles toi pour toi même les misères tu m'as fait ....


In the early 1960's Atlas Fruge joined the Traveler Playboys on steel guitar. By this time Sidney's health began to fail and he slowed down, eventually quitting any dancehall performances. He continued to perform on a limited basis, even winning the Cajun Days accordion contest in 1968. He continued building and repairing accordions, producing a unknown amount, many which are still in use today.


Sidney's impact on the local accordion scene is noted by Mervin Faul. Mervin played steel guitar with the Veteran Playboys for a while in the 1950's when Shirley Bergeron quit because his father's accordion was so bad out of tune and Shirley couldn't stand the sound. The other band members talked Mervin into talking to Alphe about it. Alphe let Mervin take his accordion to Sidney to repair. After his accordion was fixed the band continued playing. But Shirley would peek in and listen in to the group. It wasn't long before Shirley was back in the band thanks to Sidney's repair's to his fathers accordion.


In the early 1960's Atlas Fruge joined the Traveler Playboys on steel guitar. But by this time Sidney's health began to fail and he slowed down, eventually quitting any dancehall performances. He continued to perform on a limited basis winning the Cajun Days accordion contest in 1968. He continued building and repairing accordions, producing a unknown amount, many which are still in use today. One of Sidney's accordions sits in the Acadian Memorial in St. Martinville, Louisiana. He passed away on August 6, 1981.

Resources-
Early Cajun Music Blog
Accadian All Star Special
Ron Yule-Cajun Dancehall Heyday
lyrics by Stephane F.

Cleveland Crochet and His Hillbilly Ramblers- Sugar Bee

When Cleveland Crochet was 12 years old he built his first fiddle out of a cigar box, beginning his journey that would lead to a hit record and years as a regular on the Cajun dance circuit. 

He had recorded for Folk Star and Khoury's in the mid 50's. He originally named his group The Hillbilly Ramblers. But he and his band had been working on a new sound. Eddie Shuler of Goldband Records was always looking for new sounds to record. He found it with Cleveland and his group's new take on Cajun Rock and Roll.
Eddie Shuler recalls:

"One day in 1960, they walked into my office. They had something they wanted me to hear. I knew at last I had found the sound I was looking for. We set a date and the result was 'Sugar Bee'."

It featured Cleveland on fiddle, "Shorty" LeBlanc on accordion, Jay Stutes on steel guitar and vocals, Charlie Babineaux on guitar, Bradley Stutes on bass and Cliff Newman on drums. Although the group had been together for 6 years with only moderate success; they now had a hit on their hand.

The song featured Jay's shouting vocals, roaring accordion from LeBlanc and a short solo from Crochet. "Sugar Bee" stood out because it was sung in English and the accordion was made to sound like a blues harmonica.

Shuler took the record to Beaumont's KJET in hopes of getting airplay. The DJ there was Eddie's old friend Clarence Garlow, and he assured him it was a hit. After getting airplay on KJET, the record took off and had the station's switchboard lit up for weeks.

Goldband had national distrubution by Bill Lowery's NRC organization out of Atlanta. When NRC filed for bankruptcy afterwards, the sales were hurt. Goldband escaped the episode and regrouped. The record continued in the same fashion where Shuler assumed the writing credits for most of the records he released. Sadly not giving credit to the real songwriters.

Cleveland and his group tried to follow up the success of "Sugar Bee" with other songs in the Cajun rock and roll format to no avail. As so happens after the arrival of success, the group went their separate ways. The sounds they created could never be duplicated. Jay Stutes took over as leader from Cleveland when the band was renamed the Sugar Bees. 
They resorted to a more traditional style of Cajun music, playing clubs around the Golden triange. They split up in 1965 when Shorty LeBlanc passed away. Jay joined Blackie Foriester's group and even showed up on Jo El Sonnier's album in 1980.

                                                       
 Cleveland Crochet -Sugar Bee
 Goldband 1106
Recorded at Goldband Studios, Lake Charles, La
1960                                                         

 Resources
 John Broven- South To Louisiana