Sidney Brown- "Sha Ba Ba"

                                         

Eddie Shuler founded Goldband Records in 1945 originally to record his own group. But by 1948, he began releasing Cajun music on his Folk Star label, intending it to be a "folk" type of label. Eddie had found that jukebox operators would only buy so many copies of one label; so having two labels would spread out the profit.

One of the first releases on Folk Star were recordings of Iry LeJeune. Based on the success of Iry's recordings, Eddie started recording more Cajun artists. After Iry's death, Eddie needed another artist to record Cajun music in his place. One of those artists in the mid fifties was Sidney Brown.

By 1948, Sidney Brown had moved to Lake Charles and formed the Traveler Playboys. He was working in town at a woodworking job, eventually using the skill to repair and make accordions. Sidney and his band also had a thirty minute program on KPLC radio at this time.

Sidney's first recording Folk Star was "Sha-ba-ba (Dear Baby)". The record is one of many with misspelled tittles, the correct spelling is "chere bebe".

Ouais, catin, 'garde donc mais ça t'as fait,

Ouais, 't'après me quitter, mais ouais pour t'en aller.

Ouais, t'en aller rejoindre un autre que moi.

Ouais, vilaine manière, tu connais tu vas du regret.

Ouais jolie catin, rappelle toi les promesses, chère,

Et tu m'as fait, mais ouais y a pas longtemps.

Ouais, (z)aujourd'hui, c'est te voir après me quitter,

Ouais, chère bébé, moi je connais t'auras du regret.

On this song, Sidney sings about a lover leaving, knowing she will regret it as she walks away. This first record's success led to Eddie moving Sidney from his Folk Star label to Goldband. Sidney and his band would record many sides on Goldband from the mid fifties to 1960.

Originally issued on 78 rpm, this release is thought to be a later issue on 45 rpm. On both versions it is noticeable that Eddie assumed songwriting credits for the song. Also noticeable is the record was pressed by Starday's publishing company, Starrite.

Concerning the publishing, Eddie recalls:

"And, at that point in time, I’d met Don Pierce in Nashville, him and Daily had formed Starday and moved it to Nashville. Don Pierce had come off the West Coast. Don was helping me out, supplying me with a little extra finances, so with him I formed this publishing company."

Sadly by 1960, Sidney's hand was bothering him, leaving him unable to play as he once did. He focused on repairing and building accordions during this time. But his first recording on Folk Star would be one of his biggest selling records.

                                                                               

Resources:

http://wired-for-sound.blogspot.com/2011_11_24_archive.html

Early Cajun Music Blog

Ron Yule-Cajun Dancehall Heyday

http://www.bopping.org/starday-custom-series-1953-1960-an-introduction-how-did-a-flourishing-small-label-to-operate-on-custom-releases/

Session info:

SIDNEY BROWN

AND FRENCH ACCORDIAN 

Acdn, Nelson Young (v/fdl), Wallace Ogea, Eddie Chapman (g)

Goldband Studio, Lake Charles LA; 1955

-A Sha-ba-ba (Dear baby)-1 Folk-Star GF1132

Sidney Brown- "La Misere De Mon Beau-Pere"

Sidney Brown was born October 28, 1906 in Church Point. Growing up, he  was self taught on the accordion. He would borrow a accordion and sit in the field and play. By the time he was 13, he was already playing house dances and fais do-dos. 

After years of working in the oilfield as a roughneck, he moved to Lake Charles from Ville Platte in 1940. There he found work as a woodworker and carpenter. It was here that Sidney began developing his skills towards making and repairing accordions. He would eventually be recognized as the first person to build Cajun accordions after WWII in Louisiana.

After World War II he formed the Traveler Playboys. In 1948 they played on KPLC on a weekly 30 minute broadcast. From 1952 to 1959, Sidney performed with the Musical 4 + 1 and the Hillbilly Ramblers, as well as his own bookings. 

In 1955, Sidney and his band began recording for Eddie Shuler. Eddie had been inspired by the success of Iry Lejeune's records and became more involved in recording Cajun music. Sidney's record "Pestauche A Tante Nana" would become the third best selling record in the history of Cajun Music. Sidney and his band played many clubs in Louisiana and Texas. They also appeared on KPLC radio with the Israel Lafleur Show and on KPAC television in Port Arthur.

"La Misere de Mon Beau-Pere" ( My Father-In-Law's Sorrow) was recorded in 1958 at Goldband studio in Lake Charles. Playing with Sidney on the recording was Nelson Young on fiddle, Cliff Newman on vocals, John Crochet on drums and either Tilford McClelland or Mervin Faul on steel guitar.

Toi, petite fille, 
qu'est assis la galerie, 
le chapelet dans la main, 
après prier pour tout qui vient 
jolie fille, 
pourquoi donc t'es comme ça, 
tu connais pour toi même quand ça fait du mal.
toi, malheureuse, 
pas la faute à ton beau père, 
pas la faute à la petite mère.

toi, petite fille, 
rappelles toi pour toi même les misères tu m'as fait ....


In the early 1960's Atlas Fruge joined the Traveler Playboys on steel guitar. By this time Sidney's health began to fail and he slowed down, eventually quitting any dancehall performances. He continued to perform on a limited basis, even winning the Cajun Days accordion contest in 1968. He continued building and repairing accordions, producing a unknown amount, many which are still in use today.


Sidney's impact on the local accordion scene is noted by Mervin Faul. Mervin played steel guitar with the Veteran Playboys for a while in the 1950's when Shirley Bergeron quit because his father's accordion was so bad out of tune and Shirley couldn't stand the sound. The other band members talked Mervin into talking to Alphe about it. Alphe let Mervin take his accordion to Sidney to repair. After his accordion was fixed the band continued playing. But Shirley would peek in and listen in to the group. It wasn't long before Shirley was back in the band thanks to Sidney's repair's to his fathers accordion.


In the early 1960's Atlas Fruge joined the Traveler Playboys on steel guitar. But by this time Sidney's health began to fail and he slowed down, eventually quitting any dancehall performances. He continued to perform on a limited basis winning the Cajun Days accordion contest in 1968. He continued building and repairing accordions, producing a unknown amount, many which are still in use today. One of Sidney's accordions sits in the Acadian Memorial in St. Martinville, Louisiana. He passed away on August 6, 1981.

Resources-
Early Cajun Music Blog
Accadian All Star Special
Ron Yule-Cajun Dancehall Heyday
lyrics by Stephane F.